- Home
- Carrie Bebris
The Suspicion at Sanditon (Or, the Disappearance of Lady Denham) Page 33
The Suspicion at Sanditon (Or, the Disappearance of Lady Denham) Read online
Page 33
As you might have guessed by now, I love a good mystery. And the Darcys have become experienced at solving them.
The Suspicion at Sanditon is not the tale Austen would have told, had she lived long enough to complete her novel. That lost tale is one that only she could tell. But like all the previous Mr. & Mrs. Darcy Mysteries, the story between these covers is woven from threads Austen left behind. As a fragment, Sanditon abounds with loose threads: a setting currently undergoing transformation, relationships and situations rife with possible plotlines, dynamic characters left in a state of suspended animation. I wanted to give those characters a story, one that, with Austen’s indirect guidance, I could tell.
Although I had read Sanditon before (the first complete transcription of the fragment was published in 1925 by R. W. Chapman, and others have been published since), this time I immersed myself in Austen’s handwritten manuscript. I read the draft in her own hand so that I could study it from the perspective of a novelist—a fellow practitioner of the craft—rather than through the filter of other transcribers, many of whom had approached it from a more scholarly perspective. I wanted to see every crossed-out sentence, every added phrase, every punctuation change—to see her writing in process, and learn all I could from the experience. (For a first draft, it is strikingly clean—truly genius in action.) Creating my own transcription, word by word, comma by comma—working with her words on such an intimate level—was like an apprenticeship with a master.
When I had done, I began writing my own story, and you hold in your hands the result. I hope you have enjoyed the Darcys’ Sanditon adventure. If it has inspired you to seek out Austen’s fragment to meet her characters firsthand, you can obtain Sanditon (often as part of a collection with other Austen novels or minor works) from your favorite bookseller or library. (To view Austen’s handwritten manuscript, see the note below.) If my story has inspired further interest in the Mr. & Mrs. Darcy Mysteries, I invite you to visit me at my website, www.carriebebris.com, to learn more about the series, forthcoming books, and author events, or to sign up for my electronic newsletter. While there, consider dropping me a note—I always enjoy hearing from readers! I thank all of you who have already shared with me your thoughts about the series. Your words mean a great deal to me, and I remain—
Your most obliged and
humble servant,
Carrie Bebris
Notes on the text
All quotations from Sanditon are from my own transcription of Austen’s 1817 handwritten manuscript, accessed in electronic facsimile through Jane Austen’s Fiction Manuscripts: A Digital Edition, edited by Kathryn Sutherland (2010), available at www.janeausten.ac.uk. In most cases, I preserved Austen’s spellings, capitalizations, punctuation, and emphases. I have written out superscripts, abbreviations, and numerals; ampersands are changed to “and.” The long “s” form of the lowercase letter “s”—printed as ∫—is changed to a short (i.e., ordinary) “s.”
Sources of Sir Edward’s literary quotations
Assoiled from all encumbrance of our time: William Wordsworth, “Occasioned by the Battle of Waterloo—February 1816.”
The best-laid schemes of mice and men often go awry (The best-laid schemes o’ mice an ’men/Gang aft agley): Robert Burns, “To a Mouse,” 1785.
on this gay, dewy morning: Robert Burns, “Lovely Young Jessie,” 1793.
fair imperial flow’r: William Cowper, “The Lily and the Rose,” 1782.
If this be dying … there is nothing at all shocking in it. My body hardly sensible of pain, my mind at ease, my intellects clear and perfect as ever. Samuel Richardson, Clarissa, 1751.
not to see the lady of this castle … who disappeared so strangely: Ann Radcliffe, The Mysteries of Udolpho, 1794.
She walks in beauty, like the night/Of cloudless climes and starry skies;/And all that’s best of dark and bright: George Gordon, Lord Byron, “She Walks in Beauty,” 1815.
About the Author
Award-winning author CARRIE BEBRIS holds a master’s degree in English literature and is a member of the Jane Austen Society of North America. A Wisconsin native, she now resides in Ohio. This is her seventh book in the critically acclaimed Mr. and Mrs. Darcy Mystery series. Visit her website at www.carriebebris.com. You can sign up for email updates here.
Other Mr. & Mrs. Darcy Mysteries by Carrie Bebris
Pride and Prescience (Or, A Truth Universally Acknowledged)
Suspense and Sensibility (Or, First Impressions Revisited)
North by Northanger (Or, The Shades of Pemberley)
The Matters at Mansfield (Or, The Crawford Affair)
The Intrigue at Highbury (Or, Emma’s Match)
The Deception at Lyme (Or, The Peril of Persuasion)
Thank you for buying this
Tom Doherty Associates ebook.
To receive special offers, bonus content,
and info on new releases and other great reads,
sign up for our newsletters.
Or visit us online at
us.macmillan.com/newslettersignup
For email updates on the author, click here.
Contents
Title Page
Copyright Notice
Dedication
Acknowledgments
Epigraph
Prologue
Volume the First
Epigraph
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Volume the Second
Epigraph
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Volume the Third
Epigraph
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Epilogue
Author’s Note
About the Author
Other Mr. & Mrs. Darcy Mysteries by Carrie Bebris
Copyright
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
THE SUSPICION AT SANDITON
Copyright © 2015 by Carrie Bebris
All rights reserved.
Cover art by Teresa Fasolino
A Tor Book
Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010
www.tor-forge.com
Tor® is a registered trademark of Tom Doherty Associates, LLC.
eBooks may be purchased for business or promotional use. For information on bulk purchases, please contact Macmillan Corporate and Premium Sales Department by writing to [email protected].
The Library of Congress Cataloging-in-Publication Data is available upon request.
ISBN 978-0-7653-2799-4 (hardcover)
ISBN 978-1-4299-4307-9 (e-book)
e-ISBN 9781429943079
First Edition: July 2015
ing books on Archive.